{"id":48529,"date":"2018-05-01T08:53:02","date_gmt":"2018-05-01T06:53:02","guid":{"rendered":"https:\/\/wevux.com\/?p=48529"},"modified":"2018-04-29T17:07:38","modified_gmt":"2018-04-29T15:07:38","slug":"patricia-dominguez","status":"publish","type":"post","link":"https:\/\/wevux.com\/patricia-dominguez0048529\/","title":{"rendered":"PATRICIA DOMINGUEZ"},"content":{"rendered":"

Following the traces of symbols and cultural objects as they enter digital grounds and come back to the physical world transformed, the artistic practice of Chilean\u00a0artist\u00a0Patricia Dominguez<\/span>\u00a0<\/a>meditates over the processes\u00a0of colonization and appropriation\u00a0in Latin America, with a particular preference for the horse as its sigil.<\/p>\n

A galloping multiplied. War absorbed. Just how the gods were torn,\u00a0limbs left drifting, turned to stars. Such is the tactic here, but optimized. Rituals of demographics counseled the hooves should never touch the ground.\u00a0Their thunder foreclosed, hairs torn one by one by algorithms. Upon the crest a neon cross,\u00a0swallowing\u00a0bitter corporate mirrors. Furious breathing from the black beast, across the ages, disenfranchised mana leaking.\u00a0It was a storm of greed and hatred that taught the stallion\u00a0how to trample over Aymara weaving and Mapuche drums, now abandoned, a stranger lost.<\/p>\n

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